Thursday, 13 June 2019

Cambridge Ancient History Encyclopaedia

The Cambridge Ancient History - Wikipedia

Full Set 3rd Edition - Internet Archive

Relevant Volumes
Google Books References

John Boardman; N. G. L. Hammond. The Cambridge Ancient History. Volume III.3 The Expansion of the Greek World, Eighth to Sixth Centuries B.C. Cambridge University Press. ISBN 978-0-521-23447-4.

John Boardman; N. G. L. Hammond; D. M. Lewis. The Cambridge Ancient History Volume IV .Persia, Greece and the Western Mediterranean C. 525 to 479 B.C. Cambridge University Press. ISBN 978-0-521-22804-6.

John Boardman (24 November 1988). The Cambridge Ancient History: Plates to Volume IV. Cambridge University Press. ISBN 978-0-521-30580-8.

John Boardman; J. K. Davies; M. Ostwald (1992). The Cambridge Ancient History. Volume V The Fifth Century B.C. Cambridge University Press. ISBN 978-0-521-23347-7.

The Cambridge Ancient History: Plates to volumes V and VI. Cambridge University Press. 1927.

Iorwerth Eiddon Stephen Edwards; Cyril John Gadd; John Boardman (13 October 1994). The Cambridge Ancient History. Volume VI: The Fourth Century B.C.: Cambridge University Press. ISBN 978-0-521-23348-4.

F. W. Walbank (1984). The Cambridge Ancient History: The Hellenistic World. Volume VII.i The Hellenistic World: Cambridge University Press. pp. 1–. ISBN 978-0-521-23445-0.


Volume V Athens

https://archive.org/details/cambridgeancient05camb/page/n8

https://archive.org/details/in.ernet.dli.2015.170464/page/n6


The Cambridge Ancient History (CAH) does not have a dedicated volume “on” ancient Greek theatre, but discussions of drama and theatre architecture are scattered across several volumes and chapters, mainly where 5th–3rd c. Greek cultural history is treated.classics.cam

Key CAH locations for Greek theatre and drama

Because there is no consolidated drama/theatre entry in the CAH index, the most efficient way to get to the material is:

  • Look under “Drama”“Theatre”“Tragedy”“Comedy”, and the playwrights’ names (Aeschylus, Sophocles, Euripides, Aristophanes, Menander) in the index of each of the following:

    • Second edition, Volume IV (Persian Wars to the Peloponnesian War) – cultural/intellectual chapters include discussion of the emergence of Athenian tragedy at the Dionysia, Aeschylus and Sophocles, and the building/development of the Theatre of Dionysus.wikipedia

    • Second edition, Volume V (5th-century Greece after 479) – sections on “Intellectual developments” and “Athenian society” take in Euripidean tragedy, Old Comedy, and their political/intellectual contexts.wikipedia

    • Second edition, Volume VI (4th century and early Hellenistic) – chapters on “Intellectual life” and “Hellenistic culture” cover Middle/New Comedy (esp. Menander) and later performance contexts (including theatres in the Greek West and Asia Minor).wikipedia

    • For Hellenistic theatre buildings, check archaeological/cultural chapters in Volume VII (“Hellenistic Monarchies and the Rise of Rome”) under “cities”, “urbanism”, “public buildings”, and “theatres”.wikipedia

  • For archaic antecedents (choral performance, Dionysiac cult, festival structures), you sometimes get relevant background in:

    • Volume III, Part 3 (“The Expansion of the Greek World, Eighth to Sixth Centuries B.C.”) – esp. the general cultural survey “The material culture of Archaic Greece”, which treats symposium, performance imagery, and the social frame from which early choral song and drama emerge.classics.cam

Practical way to mine it

If you have digital access (Cambridge Histories Online or PDFs, like the Boardman vol. III.3 excerpt you’ve seen), the fastest method is:

  1. Use the platform search on each volume for:

    • “tragedy”, “tragedies”

    • “comedy”, “comic”

    • “theatre”, “theater”

    • “Dionysia”, “Dionysus”

    • “chorus”, “choral”

  2. Then cross-check with the index at the back; the indexes in vol. IV–VI are unusually good for names and topics.

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