Monday 31 July 2023

Paean

A paean is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, a solemn song or chant". "Paeon" was also the name of a divine physician and an epithet ("byname") of Apollo.

Paeans were originally sung in honour of Apollo, the god of music, poetry, and healing. They were also sung in honour of other gods, such as Zeus, Athena, and Dionysos. Paeans were often sung during religious festivals and ceremonies. They were also sung before and after battles, as a way of invoking the gods' help and protection.

Paeans are typically characterized by their simple, repetitive melodies and their joyful, celebratory lyrics. They often use the word "paean" itself, as well as other words associated with healing, such as "pharmakon" (drug) and "iatros" (doctor).

Here are two examples of paeans:

  • The Paean to Apollo by Pindar. This paean is a celebration of Apollo's power and his role as the god of music, poetry, and healing.

    O far-shooting god, lord of Delos, With golden hair and bow of silver, Come, let us sing a paean to Apollo, The lord of song and music.

    O Phoebus, you are the god of light, The god of healing, and the god of prophecy. You are the protector of the Greeks, And you have helped us to defeat our enemies.

    We sing your praises, O Apollo, And we ask you to continue to protect us. Fill our hearts with song, And make our words persuasive.

    O lord of Delos, we honour you, And we ask for your blessing. May we always be worthy of your protection.

  • Here is the Paean to Dionysos by Euripides (third episode Bacchae). It is a celebration of Dionysos' power and his role as the god of wine, revelry, and madness.

    O Bromius, Bacchus, with thy thyrsus wand, And thy wild hair that streams on every hand, Come, come, and with thy revel rout Fill all the place with thy uproar shout!

    Come, come, and fill our hearts with glee, With joy and mirth and revelry; Chase all our cares away, And make us dance the livelong day!

    Come, come, and bring the vine's sweet juice, And make us drunk with its delicious juice; Let us forget our woes, And live in Bacchic ecstasy!

    Come, come, and let us dance and sing, And shout the praises of the vine-god king; Let us be mad with joy, And let the revels never cloy!

    O Bromius, Bacchus, with thy thyrsus wand, And thy wild hair that streams on every hand, Come, come, and with thy revel rout Fill all the place with thy uproar shout!

Io Paean

Io Paean is a hymn of praise to Apollo, the Greek god of music, healing, and prophecy. The name "Io Paean" comes from the Greek phrase "Ἰὼ Παιάν", which means "O Paean!" or "Thanks to Paean!".
The earliest known paean to Apollo is the one that appears in Homer's Iliad. In this hymn, Apollo is praised for his healing powers, and he is asked to protect the Achaeans from disease and injury. The hymn also celebrates Apollo's victory over the Python, a monstrous serpent that was terrorizing the land of Delphi.


References


Paean - Wikipedia

A Study of the Greek Pæan; with appendixes containing the hymns found at Delphi, and the other extant fragments of pæans: Arthur Fairbanks -  Internet Archive

Paian: Studien zur Geschichte einer Gattung - Lutz Käppel - Google Books

paean - Wiktionary

The Hidden Chorus: Echoes of Genre in Tragic Lyric pp 61-   Laura Swift - Google Books

Ancient Greek Religion: A Sourcebook - Google Books
Ancient Greek Religion:  A Sourcebook: Kearns, Emily - Internet Archive

Thursday 27 July 2023

Eleusinian Mysteries and other Mystery Cults

It can be surmised that over time in parallel with the rise of mystery cults with their promises of salvation and personal connection to the divine which challenged the worship of the Olympian pantheon. Ancient Greek theatre mirrored this by featuring myths less familiar to the masses, hinting at a more diverse and individualised religious landscape. Many Ancient Greek plays mirror this change by concerning themselves with the psychological and internal moral struggles of individuals. 


References

Eleusinian Mysteries - Wikipedia

THE ELEUSINIAN MYSTERIES - Web Archive

Eleusis and the Eleusinian Mysteries: Mylonas, George E - Internet Archive

Iacchus - Wikipedia
IACCHUS (Iakkhos) - Greek God of the Ritual Cry of the Eleusinian Mysteries


Demeter - Wikipedia
Persephone - Wikipedia

Demeter | Facts, Information, and Mythology Encyclopedia Mythica
Persephone | Facts, Information, and Mythology Encyclopedia Mythica

Priestess of Demeter and Kore - Wikipedia

myEleusis - The City Eleusinion - Το Εν Άστει Ελευσίνιο

Myth and Cult: The Iconography of the Eleusinian Mysteries: The Martin P. Nilsson Lectures on Greek Religion, delivered 19-21 November 1990 at the Swedish Institute at Athens : Clinton, Kevin - Internet Archive

Myth and Cult: The Iconography of the Eleusinian Mysteries - Kevin Clinton - Google Books

Portrait of a Priestess: Women and Ritual in Ancient Greece - Joan Breton Connelly - Google Books

Eleusis; Archetypal Image of Mother and Daughter: Karl Kerényi - Internet Archive

The Road to Eleusis: Unveiling the Secret of the Mysteries - R. Gordon Wasson, Albert Hofmann, Carl A. P. Ruck - Google Books
The Road to Eleusis : Unveiling the Secret of the Mysteries : Wasson, R. Gordon (Robert Gordon), 1898-1986 - Internet Archive

Bronze Age Eleusis and the Origins of the Eleusinian Mysteries - Michael B. Cosmopoulos - Google Books

Mystery Cults in the Ancient World - Hugh Bowden - Google Books
Mystery cults of the ancient world : Bowden, Hugh - Internet Archive


THE ELEUSINIAN MYSTERIES AND RITES - Dudley Wright - Google Books

Goddesses, whores, wives and slaves: women in classical antiquity: Sarah Pomeroy - Internet Archive

Keller, M. L. (1988). The Eleusinian Mysteries of Demeter and Persephone: Fertility, Sexuality, and Rebirth. Journal of Feminist Studies in Religion, 4(1), 27–54. http://www.jstor.org/stable/25002068

myEleusis - Blog


Demeter in Attica -RMA Thesis Elselijn Baan.pdf

Persephone and the Pomegranate Seeds

In Greek mythology, pomegranate seeds play an important role in the story of Persephone's abduction by Hades, the god of the underworld. While gathering flowers in a meadow, Persephone was lured into a chasm that Hades had opened in the earth. He carried her down into his kingdom in the underworld, where he made her his queen.

Demeter, Persephone's mother and the goddess of agriculture was distraught at her daughter's disappearance. She refused to allow the earth to produce any crops until Persephone was returned to her. Zeus, the king of the gods, intervened and ordered Hades to release Persephone.

Because Hades had tricked Persephone into eating six pomegranate seeds whilst she was in the underworld Zeus overruled Hades. Anyone who had had any kind of meal in Hades' underworld had to spend all eternity there. This meant that she was now eternally bound to him by marriage. Subsequently an agreement struck between Zeus and Hades due to the specific circumstance of Persephone's consumption of the pomegranate seeds she was to spend only a few months each year in Hades' kingdom.

The number of months that Persephone spends in the underworld varies depending on the source. In some versions of the myth, she spends four months in the underworld, while in others she spends six months. These months correspond to the autumn and winter seasons when the earth is dormant.

The pomegranate is a symbol of life, regeneration, and marriage. By eating the pomegranate seeds, Persephone was bound to Hades and the underworld. This reflects the cyclical nature of life and death, and the fact that the earth must die in order to be reborn.

The pomegranate is also a symbol of fertility and abundance. The many seeds inside the pomegranate represent the potential for new life. This is why the pomegranate is often associated with Persephone, who is the goddess of spring and new growth.

The myth of Persephone and the pomegranate seeds is a reminder that death is a part of life. However, it also teaches us that even in the darkest of times, there is always hope for renewal.