Extract from
Francis MacDonald Cornford (1914) The Origin of Attic Comedy. Chapter VIII: The Stock Masks of the Old Comedy: London: Edward Arnold pp. 154–. ISBN 978-0-521-18207-2.
http://www.archive.org/details/cu31924022693117
p. 173
§85. The list of Stock Masks in the Old Comedy
We have thus collected a Uttle gallery of stock masks :
Aa Old Man, a rustic, testy, morose, stingy, given to beating his
slaves.
An Old Woman, wrinkled and hideous, amorous and drunken,
who dances the kordax.
A Young Woman, a mute person, who appears only as bride in
the final marriage.
A Learned Doctor or Pedant, lean, pale, remote from the world
(Socrates, Euripides).
A Cook (AgoracrituS).
A Parasite (Cleon), probably borrowed from the Dorian tradition,
and the Mime of Epicharmus and his school.
A Swaggering Soldier (Lamachus, Aeschylus).
A Comic Slave, or pair of slaves (the two slaves in the Knights,
Wasps, Peace, etc. Xanthias in the Frogs, who offers in the prologue
to go through the traditional antics. The minor Bufioon (Euelpides,
etc.), of other plays may take his place, as attendant of the hero).
[The Impostor can hardly be called a stock mask. He is multi-
plied into an indefinite variety of professional types. These, again,
are not stock masks, but generalised from life. They all fill suc-
cessively one fixed role in the main action.]
References
Stock character - Wikipedia
Eli Rozik (April 2005). The Roots of Theatre: Rethinking Ritual and Other Theories of Origin. University of Iowa Press. pp. 62–. ISBN 978-1-58729-426-6.
Gwendolyn Compton-Engle (27 April 2015). Costume in the Comedies of Aristophanes. Cambridge University Press.. ISBN 978-1-107-08379-0.
Paul Zanker (1995). The Mask of Socrates: The Image of the Intellectual in Antiquity. University of California Press. ISBN 978-0-520-20105-7.
Eiron - Wikipedia
Wednesday, 31 July 2019
Saturday, 27 July 2019
Stasimon
στάσιμος - stasimos
Meaning a "standing still", it referred to the regular songs or odes of the chorus, so named because they were not sung until the chorus had taken their place ready for a dance in the orchestra. Modern scholarship suggests they lined up in a rectangular formation, like a squad of soldiers. in 3 rows of 4 when the chorus was 12 persons and 3 rows of 5 after Sophocles had increased the number to 15, all lined up like a squad of soldiers.
The stasimon is a section of a Greek play where the chorus sings alone in the orchestra, the actors are off-stage, It is a section where the chorus describes the background to the story being related, adding details or context, and the setting of the mood. Often the chorus lament losses and describe feelings of despair.
There is archaeological evidence that the orchestras of the Greek theatres in the 5th century BC were rectangular in design and not circular,
As with all choric odes, the stasimon comprised of pairs of stanzas consisting of a turn or movement called a strophe [in which the chorus moves in one direction, towards the altar] followed by its exact equivalent metrical opposite counterturn or movement called an antistrophe [in which the chorus moves in the opposite direction, away from the altar] . Each pair of turns may or may not be followed by a metrically different "epode". The epode is in a different, but related, metre to the strophe and antistrophe, chanted by the chorus whilst standing still
Hyporchema
A hymn or poem sung by the main body of the chorus, while some of their number accompanied it with mimetic dancing and gesticulation.
Hyporchema - Wikipedia
Reference
Typical Structure of a Greek Play
Naomi A. Weiss (2018). The Music of Tragedy: Performance and Imagination in Euripidean Theater. Univ of California Press. ISBN 978-0-520-29590-2.
Stasimon - Wikipedia
Strophe - Wikipedia
1911 Encyclopædia Britannica/Strophe - Wikisource
Antistrophe - Wikipedia
1911 Encyclopædia Britannica/Antistrophe - Wikisource
Epode - Wikipedia
1911 Encyclopædia Britannica/Epode - Wikisource, the free online library
Prosody (Greek) - Wikipedia
The New Princeton encyclopedia of poetry and poetics- Internet Archive p.1213- Stasimon
Anne L. Klinck (15 December 2008). Woman's Songs in Ancient Greece. McGill-Queen's Press - MQUP. ISBN 978-0-7735-7721-3.
H. M. Roisman; C. A. E. Luschnig (9 October 2012). Euripides' Electra: A Commentary. 7. Parts of Plays: University of Oklahoma Press. pp. 16–. ISBN 978-0-8061-8630-6.
Francisco Rodríguez Adrados (1975). Festival, Comedy and Tragedy: The Greek Origins of Theatre. Brill Archive. pp. 342–. ISBN 90-04-04313-6.
The Circle and the Tragic Chorus
J. F. Davidson
Greece & Rome
Vol. 33, No. 1 (Apr., 1986), pp. 38-46
Published by: Cambridge University Press on behalf of The Classical Association
https://www.jstor.org/stable/643023
To Dance in the Orchestra: A Circular Argument
Author(s): Kathryn Bosher
Source: Illinois Classical Studies , No. 33-34 (2008-2009), pp. 1-24
Published by: University of Illinois Press
Stable URL: https://www.jstor.org/stable/10.5406/illiclasstud.33-34.0001
Clifford Ashby (1999). Classical Greek Theatre: New Views of an Old Subject. Chapter 3: The Shape of the Orchestra: University of Iowa Press. pp. 24–. ISBN 978-1-58729-463-1.
https://www.jstor.org/stable/j.ctt20q201
The Ephebes' Song: Tragôidia and Polis
John J. Winkler
Representations
No. 11 (Summer, 1985), pp. 26-62
Published by: University of California Press
DOI: 10.2307/2928426
https://www.jstor.org/stable/2928426
The Dramatic Festivals Of Athens : Pickard, Arthur pp. 239-54
Aristotle, Poetics, section 1452b
Meaning a "standing still", it referred to the regular songs or odes of the chorus, so named because they were not sung until the chorus had taken their place ready for a dance in the orchestra. Modern scholarship suggests they lined up in a rectangular formation, like a squad of soldiers. in 3 rows of 4 when the chorus was 12 persons and 3 rows of 5 after Sophocles had increased the number to 15, all lined up like a squad of soldiers.
The stasimon is a section of a Greek play where the chorus sings alone in the orchestra, the actors are off-stage, It is a section where the chorus describes the background to the story being related, adding details or context, and the setting of the mood. Often the chorus lament losses and describe feelings of despair.
There is archaeological evidence that the orchestras of the Greek theatres in the 5th century BC were rectangular in design and not circular,
As with all choric odes, the stasimon comprised of pairs of stanzas consisting of a turn or movement called a strophe [in which the chorus moves in one direction, towards the altar] followed by its exact equivalent metrical opposite counterturn or movement called an antistrophe [in which the chorus moves in the opposite direction, away from the altar] . Each pair of turns may or may not be followed by a metrically different "epode". The epode is in a different, but related, metre to the strophe and antistrophe, chanted by the chorus whilst standing still
Hyporchema
A hymn or poem sung by the main body of the chorus, while some of their number accompanied it with mimetic dancing and gesticulation.
Hyporchema - Wikipedia
Reference
Typical Structure of a Greek Play
Naomi A. Weiss (2018). The Music of Tragedy: Performance and Imagination in Euripidean Theater. Univ of California Press. ISBN 978-0-520-29590-2.
Stasimon - Wikipedia
Strophe - Wikipedia
1911 Encyclopædia Britannica/Strophe - Wikisource
Antistrophe - Wikipedia
1911 Encyclopædia Britannica/Antistrophe - Wikisource
Epode - Wikipedia
1911 Encyclopædia Britannica/Epode - Wikisource, the free online library
Prosody (Greek) - Wikipedia
The New Princeton encyclopedia of poetry and poetics- Internet Archive p.1213- Stasimon
Anne L. Klinck (15 December 2008). Woman's Songs in Ancient Greece. McGill-Queen's Press - MQUP. ISBN 978-0-7735-7721-3.
H. M. Roisman; C. A. E. Luschnig (9 October 2012). Euripides' Electra: A Commentary. 7. Parts of Plays: University of Oklahoma Press. pp. 16–. ISBN 978-0-8061-8630-6.
Francisco Rodríguez Adrados (1975). Festival, Comedy and Tragedy: The Greek Origins of Theatre. Brill Archive. pp. 342–. ISBN 90-04-04313-6.
The Circle and the Tragic Chorus
J. F. Davidson
Greece & Rome
Vol. 33, No. 1 (Apr., 1986), pp. 38-46
Published by: Cambridge University Press on behalf of The Classical Association
https://www.jstor.org/stable/643023
To Dance in the Orchestra: A Circular Argument
Author(s): Kathryn Bosher
Source: Illinois Classical Studies , No. 33-34 (2008-2009), pp. 1-24
Published by: University of Illinois Press
Stable URL: https://www.jstor.org/stable/10.5406/illiclasstud.33-34.0001
Clifford Ashby (1999). Classical Greek Theatre: New Views of an Old Subject. Chapter 3: The Shape of the Orchestra: University of Iowa Press. pp. 24–. ISBN 978-1-58729-463-1.
https://www.jstor.org/stable/j.ctt20q201
The Ephebes' Song: Tragôidia and Polis
John J. Winkler
Representations
No. 11 (Summer, 1985), pp. 26-62
Published by: University of California Press
DOI: 10.2307/2928426
https://www.jstor.org/stable/2928426
The Dramatic Festivals Of Athens : Pickard, Arthur pp. 239-54
Aristotle, Poetics, section 1452b
Parodos
πάροδος - parodos
Parodos means side passage, the passageway on either side of the skene or stage, between it and the rows of seats. The two parodoi are located on either side of the stage, between it and the theatron, or audience seating area. Because the Chorus made its first entrance into the orchestra through the Parados on the audience's right hand side, the entrance song or ode sung by the Chorus came to be known by this name.
At the end of the play when the Chorus leaves the Orchestra, that part of the play is called the Exodos [ἔξοδος] or departure. During the Exodos the Chorus sing and march out with the Exode (Exit Ode).
References
Parodos - Wikipedia
ἔξοδος - Wiktionary
Parodos means side passage, the passageway on either side of the skene or stage, between it and the rows of seats. The two parodoi are located on either side of the stage, between it and the theatron, or audience seating area. Because the Chorus made its first entrance into the orchestra through the Parados on the audience's right hand side, the entrance song or ode sung by the Chorus came to be known by this name.
At the end of the play when the Chorus leaves the Orchestra, that part of the play is called the Exodos [ἔξοδος] or departure. During the Exodos the Chorus sing and march out with the Exode (Exit Ode).
References
Parodos - Wikipedia
ἔξοδος - Wiktionary
Thursday, 18 July 2019
Kommos
κομμός - kommos
Originally the Kommos was a formal Dionysiac fertility rite, a phallic dance.
Literally a "Beating of the Breast", a dirge or lament, sung by a character in a play alternating with the chorus: the choric part of a tragedy as classified by the author of Chapter 12 of Aristotle's Poetics under the three headings: Parodos, Stasimon, and Kommos. He says the kommos is a joint lamentation by chorus and actors.
A dirge sung by a character by himself without the Chorus was called a monody.
Kommos was the original kernel of Tragedy, as the Parabasis is held to be central to Comedy, but also that the whole performance was originally a lamentation over a dead god or hero. Tragedy is thus a ritual lament.
ReferencesLiddell Scott Lexicon
κομμός 1 κόπτω
THE STRUCTURE OF GREEK TRAGEDY D. J. Mastronarde
Amoibaion - Brill
Kommos (theatre) - Wikipedia
Monody - Wikipedia
Ann Suter (5 February 2008). Lament: Studies in the Ancient Mediterranean and Beyond. Oxford University Press. ISBN 978-0-19-971427-8.
Margaret Alexiou; Dimitrios Yatromanolakis; Παναγιώτης Α Ροϊλός (2002). The Ritual Lament in Greek Tradition. Rowman & Littlefield. ISBN 978-0-7425-0757-9.
The Ritual Lament in Greek Tradition - Google Books https://bit.ly/3HmzD1i
The Function and Significance of Music in Tragedy
Author(s): G. M. SIFAKIS
Source: Bulletin of the Institute of Classical Studies, Vol. 45 (2001), pp. 21-35
Published by: Wiley
Stable URL: https://www.jstor.org/stable/43646652
The So-Called Kommos in Greek Tragedy
Author(s): F. M. Cornford
Source: The Classical Review, Vol. 27, No. 2 (Mar., 1913), pp. 41-45
Published by: Cambridge University Press on behalf of The Classical Association
Stable URL: https://www.jstor.org/stable/699753
Interaction between Chorus and Characters in the Oresteia
Author(s): D. J. Conacher
Source: The American Journal of Philology, Vol. 95, No. 4 (Winter, 1974), pp. 323-343
Published by: The Johns Hopkins University Press
Stable URL: https://www.jstor.org/stable/294013
The Architecture of Sophocles' "Ajax"
Author(s): T. K. Hubbard
Source: Hermes, 131. Jahrg., H. 2 (2003), pp. 158-171
Published by: Franz Steiner Verlag
Stable URL: https://www.jstor.org/stable/4477545
Originally the Kommos was a formal Dionysiac fertility rite, a phallic dance.
Literally a "Beating of the Breast", a dirge or lament, sung by a character in a play alternating with the chorus: the choric part of a tragedy as classified by the author of Chapter 12 of Aristotle's Poetics under the three headings: Parodos, Stasimon, and Kommos. He says the kommos is a joint lamentation by chorus and actors.
A dirge sung by a character by himself without the Chorus was called a monody.
Kommos was the original kernel of Tragedy, as the Parabasis is held to be central to Comedy, but also that the whole performance was originally a lamentation over a dead god or hero. Tragedy is thus a ritual lament.
ReferencesLiddell Scott Lexicon
κομμός 1 κόπτω
1.a striking: esp. like Lat. planctus (from plango), a beating of the breast in lamentation, ἔκοψα κομμὸν Ἄριον I lamented with Median lamentation, Aesch.
2.in attic Drama, a wild lament, sung alternately by an actor and the chorus, such as Aesch. Ag. 1072-1185.
Zimmermann, Bernhard (Freiburg), “Amoibaion”, in: Brill’s New Pauly, Antiquity volumes edited by: Hubert Cancik and , Helmuth Schneider, English Edition by: Christine F. Salazar, Classical Tradition volumes edited by: Manfred Landfester, English Edition by: Francis G. Gentry. <http://dx.doi.org/10.1163/1574-9347_bnp_e118290>
First published online: 2006 First print edition: 9789004122598, 20110510
First published online: 2006 First print edition: 9789004122598, 20110510
THE STRUCTURE OF GREEK TRAGEDY D. J. Mastronarde
Amoibaion - Brill
Kommos (theatre) - Wikipedia
Monody - Wikipedia
Ann Suter (5 February 2008). Lament: Studies in the Ancient Mediterranean and Beyond. Oxford University Press. ISBN 978-0-19-971427-8.
Margaret Alexiou; Dimitrios Yatromanolakis; Παναγιώτης Α Ροϊλός (2002). The Ritual Lament in Greek Tradition. Rowman & Littlefield. ISBN 978-0-7425-0757-9.
The Ritual Lament in Greek Tradition - Google Books https://bit.ly/3HmzD1i
The Function and Significance of Music in Tragedy
Author(s): G. M. SIFAKIS
Source: Bulletin of the Institute of Classical Studies, Vol. 45 (2001), pp. 21-35
Published by: Wiley
Stable URL: https://www.jstor.org/stable/43646652
The So-Called Kommos in Greek Tragedy
Author(s): F. M. Cornford
Source: The Classical Review, Vol. 27, No. 2 (Mar., 1913), pp. 41-45
Published by: Cambridge University Press on behalf of The Classical Association
Stable URL: https://www.jstor.org/stable/699753
Interaction between Chorus and Characters in the Oresteia
Author(s): D. J. Conacher
Source: The American Journal of Philology, Vol. 95, No. 4 (Winter, 1974), pp. 323-343
Published by: The Johns Hopkins University Press
Stable URL: https://www.jstor.org/stable/294013
The Architecture of Sophocles' "Ajax"
Author(s): T. K. Hubbard
Source: Hermes, 131. Jahrg., H. 2 (2003), pp. 158-171
Published by: Franz Steiner Verlag
Stable URL: https://www.jstor.org/stable/4477545
Wednesday, 10 July 2019
Plot and Myth
Ancient Greek theatrical drama is all about storytelling, stories with the moral function by which to educate the Athenian populus in the nature of their democracy. Most of the plots in the plays are taken from the huge treasury of Ancient Greek mythology. The playwright's or poet's job was not necessarily and simply to re-tell these myths but to use the myths as the basis of their plays but also to adapt the classic stories with original ideas, variations and surprises. By using well-known myths this helped the audience to keep up with the story as it unfolded before them. The audience would almost always know the stories concerned. But they came to the plays not just to hear the stories they were familiar with but also to be surprised and entertained, and educated by the spectacle.
In examining the function of myth in tragedy, myth is ultimately a convenient lie; something which whilst it quietens our hearts with suitable fables it turns our heads away from the painful truth of reality. In Ancient Greece, myth was the most powerful means by which to reach the hidden truths concerning our world.
The social and political issues of the times the tragedies were originally produced had a contemporary relevance to the Athenians of those times as one finds many recurrent themes in the extant tragedies indicating this. This was a result of the civic nature of the dramatic productions. It was a deliberate act by the playwrights. Because myth is used in tragedies this means that two-time frames are actually referred to in the plays concerned. The tragedy in these plays themselves formally takes place in the heroic age, an age which ended more or less at the time of the Fall of Troy (ca 1184 BC): this was the age of the epics as described by Homer and others. But also the contemporary audience in Athens knew that the plots in these tragedies also referred to their own time in the fifth century BC, a time when Athens had democracy as its form of government. The themes which the tragedies spoke of were also matters of considerable concern to them about the society in which they lived. The same is very true about many theatrical plays and films produced today. Fiction is used to illustrate matters of real and contemporary political and social fact even if the drama is historical or a legend.
Epic Cycle
Homer's poems of aristocratic war and voyaging provided the main Greek tradition for epics. Around 550 BC apart from the Iliad and the Odyssey there existed about 10 other epic poems which had been written down. These were collectively known as the Epic Cycle (epikos kuklos). Among the non-Homeric epics in the cycle were the Oedipodia, the Thebaïd, and the Epigoni. These related the tragic histories of the ruling houses of Thebes including the tales of Oedipus and Seven Against Thebes. However, most of the Epic Cycle were tales about the Trojan War not covered by Homer, such poems as Cypria, Little Iliad, Destruction of Troy and Homecomings. These tales as well as the Homeric ones were well-known to the Athenian public.
Many of the Ancient Greek tragedies are based on stories related in the Epic Cycle. These include six out of the seven surviving plays of Sophocles, and four out of the six surviving plays of Aeschylus. In Euripides' case ten plays – those which owe their survival to the Byzantine school curriculum - include five based on stories from the Epic Cycle.
References
Classical Mythology : a guide to the mythical world of the Greeks and Romans: Hansen, William F - Internet Archive
Category: Classical Mythology - Wikiversity
Greek Myths and the Uses of Myths on JSTOR
The Everything Classical Mythology Book: From the Heights of Mount Olympus ... - Nancy Conner - Google Books
Story Patterns in Greek Tragedy by R. Lattimore, Richmond - Internet Archive
Theoi Greek Mythology - Exploring Mythology In Classical Literature & Art
Encyclopedia Mythica
The Greeks and Their Gods : W.KG Guthrie - Internet Archive
Prolegomena to the study of Greek religion. : Jane Ellen Harrison - Internet Archive
Classical Mythology A to Z: An Encyclopedia of Gods & Goddesses - Annette Giesecke - Google Books
Interpreting Greek Tragedy: Myth, Poetry, Text - Charles Segal - Google Books
The Modern Construction of Myth : Von Hendy, A. - Internet Archive
Timeless Myths
PDF - Ohio
In examining the function of myth in tragedy, myth is ultimately a convenient lie; something which whilst it quietens our hearts with suitable fables it turns our heads away from the painful truth of reality. In Ancient Greece, myth was the most powerful means by which to reach the hidden truths concerning our world.
The social and political issues of the times the tragedies were originally produced had a contemporary relevance to the Athenians of those times as one finds many recurrent themes in the extant tragedies indicating this. This was a result of the civic nature of the dramatic productions. It was a deliberate act by the playwrights. Because myth is used in tragedies this means that two-time frames are actually referred to in the plays concerned. The tragedy in these plays themselves formally takes place in the heroic age, an age which ended more or less at the time of the Fall of Troy (ca 1184 BC): this was the age of the epics as described by Homer and others. But also the contemporary audience in Athens knew that the plots in these tragedies also referred to their own time in the fifth century BC, a time when Athens had democracy as its form of government. The themes which the tragedies spoke of were also matters of considerable concern to them about the society in which they lived. The same is very true about many theatrical plays and films produced today. Fiction is used to illustrate matters of real and contemporary political and social fact even if the drama is historical or a legend.
Epic Cycle
Homer's poems of aristocratic war and voyaging provided the main Greek tradition for epics. Around 550 BC apart from the Iliad and the Odyssey there existed about 10 other epic poems which had been written down. These were collectively known as the Epic Cycle (epikos kuklos). Among the non-Homeric epics in the cycle were the Oedipodia, the Thebaïd, and the Epigoni. These related the tragic histories of the ruling houses of Thebes including the tales of Oedipus and Seven Against Thebes. However, most of the Epic Cycle were tales about the Trojan War not covered by Homer, such poems as Cypria, Little Iliad, Destruction of Troy and Homecomings. These tales as well as the Homeric ones were well-known to the Athenian public.
Many of the Ancient Greek tragedies are based on stories related in the Epic Cycle. These include six out of the seven surviving plays of Sophocles, and four out of the six surviving plays of Aeschylus. In Euripides' case ten plays – those which owe their survival to the Byzantine school curriculum - include five based on stories from the Epic Cycle.
References
Classical Mythology : a guide to the mythical world of the Greeks and Romans: Hansen, William F - Internet Archive
Category: Classical Mythology - Wikiversity
Greek Myths and the Uses of Myths on JSTOR
The Everything Classical Mythology Book: From the Heights of Mount Olympus ... - Nancy Conner - Google Books
Story Patterns in Greek Tragedy by R. Lattimore, Richmond - Internet Archive
Theoi Greek Mythology - Exploring Mythology In Classical Literature & Art
Encyclopedia Mythica
The Greeks and Their Gods : W.KG Guthrie - Internet Archive
Prolegomena to the study of Greek religion. : Jane Ellen Harrison - Internet Archive
Classical Mythology A to Z: An Encyclopedia of Gods & Goddesses - Annette Giesecke - Google Books
Interpreting Greek Tragedy: Myth, Poetry, Text - Charles Segal - Google Books
The Modern Construction of Myth : Von Hendy, A. - Internet Archive
Timeless Myths
- Timeless Myths - Pantheon
- Timeless Myths - Royal Houses
- Timeless Myths - Heroic Age
- Timeless Myths - Geographia
- Timeless Myths - House of Pelops
- Timeless Myths - House of Thebes
- Timeless Myths - Seven Against Thebes
- Timeless Myths -Trojan War
JSTOR: Search Results for "Theories of Mythology" Eric Csapo
Classical Mythology/What is a myth? - Wikiversity
The Cuisine of Sacrifice among the Greeks : Detienne, Marcel - Internet Archive
Lévi-Strauss, C. (1955). The Structural Study of Myth. The Journal of American Folklore, 68(270), 428–444. https://doi.org/10.2307/536768 https://www.jstor.org/stable/536768
Structuralist theory of mythology - Wikipedia
Structuralist theory of mythology - Wikipedia
Ancient Writers: Greece and Rome - Internet Archive.
Greek Religion: Burkert, Walter - Internet Archive
Greek Religion - Jan N. Bremmer - Google Books
Five Stages Of Greek Religion: Gilbert_Murray - Internet Archive
Tiresias - Wikipedia
Trojan War - Wikipedia [Note which side the Olympian gods supported]
Returns from Troy - Wikipedia
Nostoi - Wikipedia
Kleos - Wikipedia
The Oxford Dictionary of Classical Myth and Religion - Internet Archive.
The Oxford Handbook of Ancient Greek Religion - Google Books
The Oxford Handbook of Heracles - Google Books
A Companion to Greek Religion - Internet Archive
Exploring the life, myth, and art of ancient Greece : Stafford, Emma - Internet Archive
The Lion Gate : Cottrell, Leonard - Internet Archive
PDF - Ohio
A Stefanidou - 2014 - search.proquest.com
In this dissertation I examine how Greek tragedy received the epic concept of kleos.
Although kleos in epic and epinician poetry has a specific social and ideological function, its
usage in Attic drama exhibits its incompatibility with the pragmatic environment of a polis
and reflects the difficulties such a value provokes when measured in circumstances similar
to those of fifth-century Athens, namely within a democracy where no one is allowed to enjoy
a rarefied status and where familial and city law is part of the audience's quotidian court
Although kleos in epic and epinician poetry has a specific social and ideological function, its
usage in Attic drama exhibits its incompatibility with the pragmatic environment of a polis
and reflects the difficulties such a value provokes when measured in circumstances similar
to those of fifth-century Athens, namely within a democracy where no one is allowed to enjoy
a rarefied status and where familial and city law is part of the audience's quotidian court
Anthropomorphism - Wikipedia
Greek Mythology - GreekMythology.com
Classical Literature - Tragedy, Lyric Poetry, New Comedy, Satire, Epic Poetry
A companion to ancient epic - Internet Archive
Encyclopedia Of Greco-Roman Mythology : Dixon, Mike
Classical Wisdom Weekly
Ancient Greek Theatre: Rhapsode
Stesichorus - Wikipedia
The East Face of Helicon: West Asiatic elements in Greek poetry and myth : West, M. L. - Internet Archive
The East Face of Helicon : West Asiatic Elements in Greek Poetry and Myth ... - M. L. West - Google Books
British Library EThOS: The influence of myth on the fifth-century audience's understanding and appreciation of the tragedies of Aeschylus
British Library EThOS: The homecoming (νóoτoσ) pattern in Greek tragedy
Myths on the Map: The Storied Landscapes of Ancient Greece - Google Books
Crowell's Handbook of Classical Mythology http://bit.ly/3aCCG5H
Greek Mythology - GreekMythology.com
Classical Literature - Tragedy, Lyric Poetry, New Comedy, Satire, Epic Poetry
A companion to ancient epic - Internet Archive
Encyclopedia Of Greco-Roman Mythology : Dixon, Mike
Classical Wisdom Weekly
Ancient Greek Theatre: Rhapsode
Stesichorus - Wikipedia
The East Face of Helicon: West Asiatic elements in Greek poetry and myth : West, M. L. - Internet Archive
The East Face of Helicon : West Asiatic Elements in Greek Poetry and Myth ... - M. L. West - Google Books
British Library EThOS: The influence of myth on the fifth-century audience's understanding and appreciation of the tragedies of Aeschylus
British Library EThOS: The homecoming (νóoτoσ) pattern in Greek tragedy
Myths on the Map: The Storied Landscapes of Ancient Greece - Google Books
Crowell's Handbook of Classical Mythology http://bit.ly/3aCCG5H
Thomas Bulfinch. Bulfinch's Mythology: The Classic Introduction to Myth and Legend-Complete and Unabridged. Penguin Publishing Group. ISBN 978-0-698-15427-8.
Bulfinch's mythology : the age of fable : Bulfinch, Thomas, 1796-1867 - Internet Archive
Thucydides Mythistoricus by F.M. Cornford - Internet Archive
Diodorus (Siculus.) (1814). The Historical Library of Diodorus the Sicilian. Volume I. W. MʻDowall.
https://quod.lib.umich.edu/e/eebo/a36034.0001.001/1:10?vid=63003;view=toc
Greek hero cults and ideas of immortality; the Gifford lectures delivered in the University of St. Andrews in the year 1920 : Farnell, Lewis Richard - Internet Archive
The Heroic Age by H. Munro Chadwick - Project Gutenberg
ἀρετή - Wiktionary
τιμή - Wiktionary
The Myths and Legends of Ancient Greece and Rome: E.M. Berens - Internet Archive
Pindar - Wikipedia
Finkelberg, M. (2002). Virtue and Circumstances: On the City-State Concept of Arete. The American Journal of Philology, 123(1), 35–49. http://www.jstor.org/stable/1561999
Finkelberg, M. (1998). Timē and Aretē in Homer. The Classical Quarterly, 48(1), 14–28. http://www.jstor.org/stable/639748
The Hero and Homeric Culture - Cliffs Notes
Ancient Greek Cults.pdf | Alfred Krocowucki - Academia.edu
Ancient Greek Religion : Mikalson, Jon D - Internet Archive
PARIER SUR LE TEMPS La quête héroïque d’immortalité dans l’épopée homérique
Catherine Collobert (2011) Études Anciennes
David Wiles (25 May 2000). Greek Theatre Performance: An Introduction. Cambridge University Press. ISBN 978-0-521-64857-8. Chapter 1 Myth
Encyclopedia of Ancient Greece MYTHOLOGY D.P.M. Weerakkoddy pp. 489-93 - Internet Archive
Desmond J. Conacher (15 December 1967). Euripidean Drama: Myth, Theme and Structure. University of Toronto Press, Scholarly Publishing Division. ISBN 978-1-4426-3759-7.
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Euripides and the full circle of myth: Whitman, Cedric Hubbell - Internet Archive
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Gregory Nagy (5 September 2018). Greek Mythology and Poetics. Cornell University Press. ISBN 978-1-5017-3202-7.
Gregory Nagy (10 January 2020). The Ancient Greek Hero in 24 Hours. Harvard University Press. ISBN 978-0-674-24419-1.
Charles Segal (15 May 2019). Interpreting Greek Tragedy: Myth, Poetry, Text. Cornell University Press. ISBN 978-1-5017-4670-3.
Franco Moretti (2011). Network Theory, Plot Analysis. Universitätsbibliothek Johann Christian Senckenberg.
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Narratology and Interpretation - Google Books
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Fawkes, G. (2017). The Book of Greek and Roman Folktales, Legends, and Myths (W. Hansen, Ed.). Princeton University Press. https://doi.org/10.2307/j.ctvc77cr4 https://www.jstor.org/stable/j.ctvc77cr4
The Book of Greek and Roman Folktales, Legends, and Myths - Google Books
Angela Paschini (2019). Religious Exploration in Greek Tragedy. UCL (University College London). https://bit.ly/2UinOTh
Paul Veyne (15 June 1988). Did the Greeks Believe in Their Myths?: An Essay on the Constitutive Imagination. University of Chicago Press. ISBN 978-0-226-85434-2.
The Ritual Theory of Myth by Joseph Eddy Fontenrose - Open Library
Terence Patrick Murphy (24 August 2015). The Fairytale and Plot Structure. Character Study: From Aristotle to the Cambridge Ritualist: Springer. pp. 19–. ISBN 978-1-137-54708-8.
Thomas G. Palaima (2004). Anthology of Classical Myth: Primary Sources in Translation. Hackett Publishing Company, Incorporated. ISBN 978-1-60384-068-2.
Thomas Bulfinch. Bulfinch's Mythology: The Classic Introduction to Myth and Legend - Complete and Unabridged. Penguin Publishing Group. ISBN 978-0-698-15427-8.
A. Moncrieff; R. Krafft-Ebing (January 2010). Classic Myth and Legend. Read Books. ISBN 978-1-4446-5735-7.
Ascott Robert Hope Moncrieff (2012). Classic Myth and Legend. HardPress Publishing. ISBN 978-1-290-54353-8.
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Robin Waterfield; Kathryn Waterfield (1 March 2012). The Greek Myths: Stories of the Greek Gods and Heroes Vividly Retold. Quercus. ISBN 978-0-85738-413-3.
Sophie Mills (1997). Theseus, Tragedy, and the Athenian Empire. Clarendon Press. ISBN 978-0-19-815063-3.
Charles Segal (15 May 2019). Interpreting Greek Tragedy: Myth, Poetry, Text. Cornell University Press. ISBN 978-1-5017-4670-3.
Rebecca Futo Kennedy (2009). Athena's Justice: Athena, Athens and the Concept of Justice in Greek Tragedy. Peter Lang. ISBN 978-1-4331-0454-1.
Bettany Hughes (2011). Helen of Troy: Goddess, Princess, Whore. Random House. ISBN 978-1-4464-1914-4.
Joan Breton Connelly (30 January 2014). The Parthenon Enigma: A Journey Into Legend. Head of Zeus. ISBN 978-1-78185-942-1.
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Lowell Edmunds (11 September 2014). Approaches to Greek Myth. Johns Hopkins University Press. ISBN 978-1-4214-1420-1.
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A. M. Bowie (13 September 1996). Aristophanes: Myth, Ritual and Comedy. Cambridge University Press. ISBN 978-0-521-57575-1.
Deborah Lyons (2014). Gender and Immortality: Heroines in Ancient Greek Myth and Cult. Princeton University Press. ISBN 978-1-4008-6438-6.
Jan Bremmer (30 July 2010). Gods of Ancient Greece: Identities and Transformations: Identities and Transformations. Edinburgh University Press. ISBN 978-0-7486-4289-2.
V. Propp. Morphology of the Folktale: Second Edition. University of Texas Press. ISBN 978-0-292-79249-4.
Claude Levi-strauss (5 August 2008). Structural Anthropology. Chapter XI - The Structural Study of Myth: Basic Books. pp. 147–. ISBN 978-0-7867-2443-7.
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Il Mito greco : atti del Convegno internazionale : (Urbino, 7-12 maggio 1973)
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Claude Lévi-Strauss (1960). La structure et la forme: réflexions sur un ouvrage de Vladimir Propp. ISEA, Institut de sciences économiques appliquées.
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Michelle M. Houle (2001). Gods and Goddesses in Greek Mythology. Enslow Publishers. ISBN 978-0-7660-1408-4.
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Myth and paradox in Aristophanes by Kanellakis
Robert L. Fowler (2000). Early Greek Mythography: Volume 2: Commentary. OUP Oxford. ISBN 978-0-19-814741-1.
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R Parker - Interpretations of Greek mythology, 1987 - rug.nl
… The motif of a saving sacrificial death is obviously borrowed from the older Athenian legends
of the … It looks as if in the classical legend the issue was merely one of priority." Immediately on …
responded to Poseidon's role in the myth." …
of the … It looks as if in the classical legend the issue was merely one of priority." Immediately on …
responded to Poseidon's role in the myth." …
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Euripidean drama: myth, theme and structure: Conacher, D. J - Internet Archive.
Euripides and the full circle of myth: Whitman, Cedric Hubbell - Internet Archive
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Gregory Nagy (5 September 2018). Greek Mythology and Poetics. Cornell University Press. ISBN 978-1-5017-3202-7.
Gregory Nagy (10 January 2020). The Ancient Greek Hero in 24 Hours. Harvard University Press. ISBN 978-0-674-24419-1.
Charles Segal (15 May 2019). Interpreting Greek Tragedy: Myth, Poetry, Text. Cornell University Press. ISBN 978-1-5017-4670-3.
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A. M. Hocart (5 November 2013). The Life-Giving Myth. Routledge. ISBN 978-1-136-55117-8.
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John Boardman; Jasper Griffin; Oswyn Murray (5 September 1991). The Oxford History of Greece and the Hellenistic World. Oxford University Press, UK. ISBN 978-0-19-285247-2.
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Archived 2
Karl Kerényi (1996). Dionysos. Princeton University Press. ISBN 0-691-02915-6.
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Ambrosia - Wikipedia
Nectar - Wikipedia
Franco Moretti (2011). Network Theory, Plot Analysis. Universitätsbibliothek Johann Christian Senckenberg.
Moretti, Franco. “Two Theories.” Daedalus, vol. 150, no. 1, 2021, pp. 16–25. JSTOR, www.jstor.org/stable/48609822.
Narratology and interpretation : the content of narrative form in ancient literature - Internet Archive
Narratology and Interpretation - Google Books
http://www.timelessmyths.com/classical/thebes.html
Fawkes, G. (2017). The Book of Greek and Roman Folktales, Legends, and Myths (W. Hansen, Ed.). Princeton University Press. https://doi.org/10.2307/j.ctvc77cr4 https://www.jstor.org/stable/j.ctvc77cr4
The Book of Greek and Roman Folktales, Legends, and Myths - Google Books
Angela Paschini (2019). Religious Exploration in Greek Tragedy. UCL (University College London). https://bit.ly/2UinOTh
Paul Veyne (15 June 1988). Did the Greeks Believe in Their Myths?: An Essay on the Constitutive Imagination. University of Chicago Press. ISBN 978-0-226-85434-2.
The Ritual Theory of Myth by Joseph Eddy Fontenrose - Open Library
Terence Patrick Murphy (24 August 2015). The Fairytale and Plot Structure. Character Study: From Aristotle to the Cambridge Ritualist: Springer. pp. 19–. ISBN 978-1-137-54708-8.
Thomas G. Palaima (2004). Anthology of Classical Myth: Primary Sources in Translation. Hackett Publishing Company, Incorporated. ISBN 978-1-60384-068-2.
Thomas Bulfinch. Bulfinch's Mythology: The Classic Introduction to Myth and Legend - Complete and Unabridged. Penguin Publishing Group. ISBN 978-0-698-15427-8.
A. Moncrieff; R. Krafft-Ebing (January 2010). Classic Myth and Legend. Read Books. ISBN 978-1-4446-5735-7.
Ascott Robert Hope Moncrieff (2012). Classic Myth and Legend. HardPress Publishing. ISBN 978-1-290-54353-8.
https://archive.org/stream/classicmythlegen00moncrich?ref=ol#page/n10/mode/2up
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Robin Waterfield; Kathryn Waterfield (1 March 2012). The Greek Myths: Stories of the Greek Gods and Heroes Vividly Retold. Quercus. ISBN 978-0-85738-413-3.
Sophie Mills (1997). Theseus, Tragedy, and the Athenian Empire. Clarendon Press. ISBN 978-0-19-815063-3.
Charles Segal (15 May 2019). Interpreting Greek Tragedy: Myth, Poetry, Text. Cornell University Press. ISBN 978-1-5017-4670-3.
Rebecca Futo Kennedy (2009). Athena's Justice: Athena, Athens and the Concept of Justice in Greek Tragedy. Peter Lang. ISBN 978-1-4331-0454-1.
Bettany Hughes (2011). Helen of Troy: Goddess, Princess, Whore. Random House. ISBN 978-1-4464-1914-4.
Joan Breton Connelly (30 January 2014). The Parthenon Enigma: A Journey Into Legend. Head of Zeus. ISBN 978-1-78185-942-1.
https://archive.org/details/parthenonenigma0000conn
Michael Scott (20 October 2015). Delphi: A History of the Center of the Ancient World. Princeton University Press. pp. 3–. ISBN 978-0-691-16984-2.
Lowell Edmunds (11 September 2014). Approaches to Greek Myth. Johns Hopkins University Press. ISBN 978-1-4214-1420-1.
https://archive.org/details/unset0000unse_p1a0
Approaches to Greek Myth - Internet Archive
A. M. Bowie (13 September 1996). Aristophanes: Myth, Ritual and Comedy. Cambridge University Press. ISBN 978-0-521-57575-1.
Deborah Lyons (2014). Gender and Immortality: Heroines in Ancient Greek Myth and Cult. Princeton University Press. ISBN 978-1-4008-6438-6.
Jan Bremmer (30 July 2010). Gods of Ancient Greece: Identities and Transformations: Identities and Transformations. Edinburgh University Press. ISBN 978-0-7486-4289-2.
V. Propp. Morphology of the Folktale: Second Edition. University of Texas Press. ISBN 978-0-292-79249-4.
Claude Levi-strauss (5 August 2008). Structural Anthropology. Chapter XI - The Structural Study of Myth: Basic Books. pp. 147–. ISBN 978-0-7867-2443-7.
Structural anthropology : Lévi-Strauss, Claude - Internet Archive
Charles Segal (15 May 2019). Interpreting Greek Tragedy: Myth, Poetry, Text. Cornell University Press. ISBN 978-1-5017-4670-3.
Interpreting Greek Tragedy: Myth, Poetry, Text - Open Library
Ken Dowden (11 September 2002). The Uses of Greek Mythology. Routledge. ISBN 978-1-134-92628-2.
Il Mito greco : atti del Convegno internazionale : (Urbino, 7-12 maggio 1973)
Bruno Gentili; Giuseppe Paioni;
Il Mito greco : atti del Convegno internazionale : (Urbino, 7-12 maggio 1973)-Internet Archive
Evans, N. A. (2002). Sanctuaries, Sacrifices, and the Eleusinian Mysteries. Numen, 49(3), 227–254. http://www.jstor.org/stable/3270542
Claude Lévi-Strauss (1960). La structure et la forme: réflexions sur un ouvrage de Vladimir Propp. ISEA, Institut de sciences économiques appliquées.
Marco Fantuzzi; Christos Tsagalis (6 August 2015). The Greek Epic Cycle and its Ancient Reception: A Companion. Cambridge University Press. ISBN 978-1-316-29821-3.
Michelle M. Houle (2001). Gods and Goddesses in Greek Mythology. Enslow Publishers. ISBN 978-0-7660-1408-4.
https://www.academia.edu/6690291/Greek_Mythology?email_work_card=title
Tragedy and the Epic Cycle (Chapter 25) Alan H. Sommerstein - The Greek Epic Cycle and its Ancient Reception
Epic Cycle Fragments - Theoi Classical Texts Library
Cypria - Myths of the World Wiki
Epic Cycle - Myths of the World Wiki
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Lord Raglan. The Hero: A Study in Tradition, Myth and Drama. Courier Corporation. ISBN 978-0-486-31714-4.
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The Mountain Gods and Musical Contests by Bill Moulton - Kosmos Society
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Lord Raglan. The Hero: A Study in Tradition, Myth and Drama. Courier Corporation. ISBN 978-0-486-31714-4.
Jonas Grethlein; Antonios Rengakos (2009). Narratology and Interpretation: The Content of Narrative Form in Ancient Literature. Walter de Gruyter. ISBN 978-3-11-021452-9.
Homer: Odyssey Book 11 - part of the story of Agamenon's assassination by Aegisthus.
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Homer: Odyssey Book 11 - part of the story of Agamenon's assassination by Aegisthus.
The Odyssey (Butler)/Book XI - Wikisource, the free online library
Corinne Ondine Pache; Casey Dué; Susan Lupack (5 March 2020). The Cambridge Guide to Homer. Cambridge University Press. ISBN 978-1-108-66362-5.
Robert Louis Fowler; Quintus Horatius Flaccus (2000). Early Greek Mythography: Texts. Oxford University Press. ISBN 978-0-19-814740-4.
Myth and paradox in Aristophanes by Kanellakis
ORA - Oxford University Research Archive: https://ora.ox.ac.uk › objects › files
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https://ora.ox.ac.uk › objects › files
Robert L. Fowler (2000). Early Greek Mythography: Volume 2: Commentary. OUP Oxford. ISBN 978-0-19-814741-1.
Stephen Fry (1 November 2018). Heroes: The myths of the Ancient Greek heroes retold. Penguin Books Limited. ISBN 978-1-4059-4038-2.
Stephen Fry (29 October 2020). Troy: Our Greatest Story Retold. Penguin Books Limited. ISBN 978-1-4059-4448-9.
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The Odyssey - Google Books trans by Robert Fitzgerald
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Story patterns in Greek tragedy : Lattimore, Richmond - Internet Archive
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Wikipedia Articles
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Thebaid (Greek poem) - Wikipedia
Nostoi - Wikipedia
Iliupersis - Wikipedia
Iliad - Wikipedia
Little Iliad - Wikipedia
Danaus - Wikipedia
Aegyptus - Wikipedia
Danaïdes - Wikipedia
Agamemnon - Wikipedia
Clytemnestra - Wikipedia
Helen of Troy - Wikipedia
Iphigenia - Wikipedia
Electra - Wikipedia
Orestes - Wikipedia
Hecuba - Wikipedia
Thucydides Mythistoricus : Francis M. Cornford - Internet Archive
Jstor Articles
EURIPIDES' USE OF MYTH
Robert Eisner
Arethusa
Vol. 12, No. 2 (Fall 1979), pp. 153-174
Published by: The Johns Hopkins University Press
https://www.jstor.org/stable/26308141
The Expansion of Myth in Late Euripides: "Iphigeneia at Aulis"
ANN N. MICHELINI
Illinois Classical Studies
Vol. 24/25, Euripides and Tragic Theatre in the Late Fifth Century (1999-2000), pp. 41-57
Published by: University of Illinois Press
https://www.jstor.org/stable/23065357
THE ENDURING MYTHS OF ANCIENT GREECE
BERNARD KNOX
The Classical Outlook
Vol. 62, No. 4 (MAY-JUNE 1985), pp. 118-121
Published by: American Classical League
https://www.jstor.org/stable/43934949
Aeschylus' Seven Against Thebes vs. Euripides' Phoenissae: Male vs. Female Power
Anna A. Lamari
Wiener Studien
Vol. 120 (2007), pp. 5-24 (20 pages)
Published by: Austrian Academy of Sciences Press
https://www.jstor.org/stable/24752017
Double Meaning and Mythic Novelty in Euripides' Plays
Emily A. McDermott
Transactions of the American Philological Association (1974-2014)
Vol. 121 (1991), pp. 123-132
Published by: The Johns Hopkins University Press
DOI: 10.2307/284447
https://www.jstor.org/stable/284447
Plots and Politics in Aeschylus
C. D. N. Costa
Greece & Rome
Vol. 9, No. 1 (Mar., 1962), pp. 22-34
Published by: Cambridge University Press on behalf of The Classical Association
https://www.jstor.org/stable/640741
The Structure of Aristophanic Comedy
G. M. Sifakis
The Journal of Hellenic Studies
Vol. 112 (1992), pp. 123-142
Published by: The Society for the Promotion of Hellenic Studies
DOI: 10.2307/632156
https://www.jstor.org/stable/632156
Theories of Myth and the Folklorist
Richard M. Dorson
Daedalus
Vol. 88, No. 2, Myth and Mythmaking (Spring, 1959), pp. 280-290
Published by: The MIT Press on behalf of American Academy of Arts & Sciences
https://www.jstor.org/stable/20026496
The Structural Study of Myth
Claude Lévi-Strauss
The Journal of American Folklore
Vol. 68, No. 270, Myth: A Symposium (Oct. - Dec., 1955), pp. 428-444
Published by: American Folklore Society
DOI: 10.2307/536768
https://www.jstor.org/stable/536768
EURIPIDES AND THE 'TALES FROM EURIPIDES': SOURCES OF APOLLODOROS' 'BIBLIOTHECA'?
Marc Huys
Rheinisches Museum für Philologie
Neue Folge, 140. Bd., H. 3/4 (1997), pp. 308-327
Published by: J.D. Sauerländers Verlag
https://www.jstor.org/stable/41234289
The Ritual View of Myth and the Mythic
Stanley Edgar Hyman
The Journal of American Folklore
Vol. 68, No. 270, Myth: A Symposium (Oct. - Dec., 1955), pp. 462-472
Published by: American Folklore Society
DOI: 10.2307/536771
https://www.jstor.org/stable/536771
The Extant Greek Plays and the Myths forming their basis
Plays concerning the Trojan War or its aftermath, and myths concerning the Curse on the House of Atreus
Euripides
- Hecuba
- The Trojan Women
- Helen
- Iphigenia At Aulis
- Iphigenia in Tauris
- Orestes
- Electra
- Suppliant Women
- Andromache
- Cyclops
Sophocles
- Ajax
- Orestes
- Electra
Aeschylus
- Oresteia [Agamemnon, The Libation Bearers, The Eumenides]
Plays concerning the Oedipean myth and Thebes
Euripides
- The Phoenissae [Phoenician Women/Seven Against Thebes]
Sophocles
- Oedipus Tyrannus
- Antigone
- Oedipus at Colonus
Aeschylus
- Seven Against Thebes
Plays involving Jason and the Argonauts or related myths
Euripides
- Medea
The Myth of Heracles (Hercules)
Sophocles
- Women of Trachis
Euripides
- Heracles
- Children of Heracles
The Myth of Theseus and his Family
Euripides
- Hippolytus
The God Dionysos
Euripides
- The Bacchae
Aristophanes
- The Frogs
Other Myths and Legends
Euripides
- Alcestis
- Ion
Iliad (sorted by popularity) - Project Gutenberg
The Iliad - Google Books translated by Robert Fagles
The Iliad - Google Books translated by Robert Fagles
Homer, The Iliad - Google Books
The Odyssey - Wikisource
The Odyssey (sorted by popularity) - Project Gutenberg
The Odyssey 1 & 2: Homer - Internet Archive - Aris & Phillips Classical Texts
The Odyssey - Google Books trans by Robert Fitzgerald
Geography of the Odyssey - Wikipedia
Lateiner, Donald. “Deceptions and Delusions in Herodotus.” Classical Antiquity, vol. 9, no. 2, 1990, pp. 230–246. JSTOR, www.jstor.org/stable/25010930.
Richmond Alexander Lattimore; Richmond Lattimore (1969). Story Patterns in Greek Tragedy. University of Michigan Press. ISBN 978-0-472-06146-4.
Story patterns in Greek tragedy : Lattimore, Richmond, - Internet Archive
Story patterns in Greek tragedy : Lattimore, Richmond - Internet Archive https://bit.ly/3nAW9dj
Story patterns in Greek tragedy : Lattimore, Richmond - Internet Archive
LIMC-France > Digital resources
Digital LIMC
Hesiod - Wikipedia
Hesiod: G Evelyn-White - Internet Archive
Hesiod, The Homeric Hymns, and Homerica, by Homer and Hesiod
Hesiod (1999). Theogony: And, Works and Days. Oxford University Press. ISBN 978-0-19-283941-1.
Hesiod (1991). Hesiod. University of Michigan Press. ISBN 0-472-08161-6.
Hesiod translated by Richmond Lattimore - Internet Archive
HESIOD, SHIELD OF HERACLES - Theoi Classical Texts Library
HESIOD, THEOGONY - Theoi Classical Texts Library
HESIOD, WORKS AND DAYS - Theoi Classical Texts Library
HESIOD, CATALOGUES OF WOMEN FRAGMENTS - Theoi Classical Texts Library
Hesiod and Aeschylus by F. Solmsen - Internet Archive
Digital LIMC
Farnell's Cults of the Greek States
Volume 1: https://books.google.pt/books?id=02QAAAAAMAAJ&printsec=frontcover#v=onepage&q&f=true
Anionic Age, Ionic Age, Cronos, Zeus, Hera, Athena,
Volume 2: https://www.google.pt/books/edition/The_Cults_of_the_Greek_States/gVLuAAAAMAAJ?hl=en&gbpv=1
Artemis, Adrasteia, Hekate, Eileithyia, Aprhodite Worship,
Volume 3:
https://archive.org/details/in.ernet.dli.2015.56574/page/n3/mode/1up
Ge, Demeter and Kore-Persephone, Hades-Plouton, Mother of the Gods and Rhea-Cybele,
Volume 4:
https://archive.org/details/in.ernet.dli.2015.56575/page/n3/mode/1up
Poseidon, Apollo
Volume 5:
https://archive.org/details/in.ernet.dli.2015.56576/page/n3/mode/1up
Hermes, Dionysos, Hestia, Hephaistos, Ares, Minor Cults
Volume 1: https://books.google.pt/books?id=02QAAAAAMAAJ&printsec=frontcover#v=onepage&q&f=true
Anionic Age, Ionic Age, Cronos, Zeus, Hera, Athena,
Volume 2: https://www.google.pt/books/edition/The_Cults_of_the_Greek_States/gVLuAAAAMAAJ?hl=en&gbpv=1
Artemis, Adrasteia, Hekate, Eileithyia, Aprhodite Worship,
Volume 3:
https://archive.org/details/in.ernet.dli.2015.56574/page/n3/mode/1up
Ge, Demeter and Kore-Persephone, Hades-Plouton, Mother of the Gods and Rhea-Cybele,
Volume 4:
https://archive.org/details/in.ernet.dli.2015.56575/page/n3/mode/1up
Poseidon, Apollo
Volume 5:
https://archive.org/details/in.ernet.dli.2015.56576/page/n3/mode/1up
Hermes, Dionysos, Hestia, Hephaistos, Ares, Minor Cults
Hesiod
Hesiod - Wikipedia
Hesiod: G Evelyn-White - Internet Archive
Hesiod, The Homeric Hymns, and Homerica, by Homer and Hesiod
Hesiod (1999). Theogony: And, Works and Days. Oxford University Press. ISBN 978-0-19-283941-1.
Hesiod (1991). Hesiod. University of Michigan Press. ISBN 0-472-08161-6.
Hesiod translated by Richmond Lattimore - Internet Archive
HESIOD, SHIELD OF HERACLES - Theoi Classical Texts Library
HESIOD, THEOGONY - Theoi Classical Texts Library
HESIOD, WORKS AND DAYS - Theoi Classical Texts Library
HESIOD, CATALOGUES OF WOMEN FRAGMENTS - Theoi Classical Texts Library
Hesiod and Aeschylus by F. Solmsen - Internet Archive
Doug Metzger's Literature and History Episodes 7 & 8
| 7 | Hesiod's Lands and Seasons | Works and Days | Hesiod | BCE 700s | Before Aristotle, Socrates, and Plato, there was a grouchy farmer poet whose Works and Days continues to fascinate us. | |||
| 8 | Before Orthodoxy | The Theogony | Hesiod | BCE 700s | Elementals, giants, titans and gods! Hesiod's Theogony chronicles a great war - one which would leave a single entity sovereign over the cosmos. |
Episode_008_before_orthodoxy
Family Tree of Olympian Gods
Family tree of the Greek gods - Wikipedia
A Genealogy of the Greek Gods [png]
E. W. Handley (9 May 1985). The Cambridge History of Classical Literature: Volume 1, Greek Literature. Chapter 3 - Hesiod: Cambridge University Press. pp. 92–. ISBN 978-0-521-21042-3. PDF
E. W. Handley (9 May 1985). The Cambridge History of Classical Literature: Volume 1, Greek Literature. Chapter 4: The Epic Tradition after Homer and Hesiod: Cambridge University Press. pp. 106–. ISBN 978-0-521-21042-3. PDF
Audio
Let's Talk About Myths, Baby! A Greek and Roman Mythology Podcast - Liv Albert
https://youtu.be/DRMroqQIZb
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold - Google Podcasts
Let's Talk About Myths, Baby! A Greek and Roman Mythology Podcast
BBC Radio 4 - Natalie Haynes Stands Up for the Classics
https://www.bbc.co.uk/programmes/b077x8pc/episodes/downloads
Natalie Haynes: Audio Archive : Internet Archive
https://youtu.be/DRMroqQIZb
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold - Google Podcasts
Let's Talk About Myths, Baby! A Greek and Roman Mythology Podcast
BBC Radio 4 - Natalie Haynes Stands Up for the Classics
https://www.bbc.co.uk/programmes/b077x8pc/episodes/downloads
Natalie Haynes: Audio Archive : Internet Archive
Amazon.com: Classical Mythology: The Greeks: The Modern Scholar (Audible Audio Edition): Professor Peter Meineck, Peter Meineck, Recorded Books: Audible Audiobooks
https://amzn.to/2Pabv8G
Great Courses: Classical Mythology Professor Elizabeth Vandiver - Literature
https://amzn.to/2Pb57xF
Synopsis: Classical Mythology by Elizabeth Vandiver
Classical Mythology - Audio from Web Archive
Doug Metzger Literature and History Podcast
9 Glittering Bronze Men The Iliad Homer BCE 700s The Iliad, Books 1-8. Homer’s Iliad is the Tyrannosaurus Rex of ancient epics. And at the core of its 24 books is one shiny metal. 01:51:00 
10 Homer's Gods The Iliad Homer BCE 700s The Iliad, Books 9-16. The violent and spellbinding middle books of the Iliad leave us with questions about Homer’s theology. 01:47:00 
11 Who Was Homer? The Iliad Homer BCE 700s The Iliad, Books 17-24. As the Iliad reaches its spectacular climax, it’s time to ask a big question. Who wrote it? 01:41:00 
12 Kleos and Nostos The Odyssey Homer BCE 700s The Odyssey, Books 1-8. Adventure, monsters, temptresses, and a whole lot of wine-dark Aegean. Learn all about the world of Homer’s Odyssey. 01:47:00 
13 His Mind Teeming The Odyssey Homer BCE 700s The Odyssey, Books 9-16. The most famous part of Homer's Odyssey sees Odysseus through perilous adventures and begins to give us a sense of who he is. 01:48:00 
14 The Autumn Leaves The Odyssey Homer BCE 700s The Odyssey, Books 17-24. As we reach the violent climax of Odysseus’ great adventures, it’s time to spend some time considering Homer’s worldview. 02:11:00 
Wikipedia Articles
Epic Cycle - Wikipedia
Thebaid (Greek poem) - Wikipedia
Nostoi - Wikipedia
Iliupersis - Wikipedia
Iliad - Wikipedia
Little Iliad - Wikipedia
Danaus - Wikipedia
Aegyptus - Wikipedia
Danaïdes - Wikipedia
Agamemnon - Wikipedia
Clytemnestra - Wikipedia
Helen of Troy - Wikipedia
Iphigenia - Wikipedia
Electra - Wikipedia
Orestes - Wikipedia
Hecuba - Wikipedia
Thucydides Mythistoricus : Francis M. Cornford - Internet Archive
Jstor Articles
EURIPIDES' USE OF MYTH
Robert Eisner
Arethusa
Vol. 12, No. 2 (Fall 1979), pp. 153-174
Published by: The Johns Hopkins University Press
https://www.jstor.org/stable/26308141
The Expansion of Myth in Late Euripides: "Iphigeneia at Aulis"
ANN N. MICHELINI
Illinois Classical Studies
Vol. 24/25, Euripides and Tragic Theatre in the Late Fifth Century (1999-2000), pp. 41-57
Published by: University of Illinois Press
https://www.jstor.org/stable/23065357
THE ENDURING MYTHS OF ANCIENT GREECE
BERNARD KNOX
The Classical Outlook
Vol. 62, No. 4 (MAY-JUNE 1985), pp. 118-121
Published by: American Classical League
https://www.jstor.org/stable/43934949
Aeschylus' Seven Against Thebes vs. Euripides' Phoenissae: Male vs. Female Power
Anna A. Lamari
Wiener Studien
Vol. 120 (2007), pp. 5-24 (20 pages)
Published by: Austrian Academy of Sciences Press
https://www.jstor.org/stable/24752017
Double Meaning and Mythic Novelty in Euripides' Plays
Emily A. McDermott
Transactions of the American Philological Association (1974-2014)
Vol. 121 (1991), pp. 123-132
Published by: The Johns Hopkins University Press
DOI: 10.2307/284447
https://www.jstor.org/stable/284447
Plots and Politics in Aeschylus
C. D. N. Costa
Greece & Rome
Vol. 9, No. 1 (Mar., 1962), pp. 22-34
Published by: Cambridge University Press on behalf of The Classical Association
https://www.jstor.org/stable/640741
The Structure of Aristophanic Comedy
G. M. Sifakis
The Journal of Hellenic Studies
Vol. 112 (1992), pp. 123-142
Published by: The Society for the Promotion of Hellenic Studies
DOI: 10.2307/632156
https://www.jstor.org/stable/632156
Theories of Myth and the Folklorist
Richard M. Dorson
Daedalus
Vol. 88, No. 2, Myth and Mythmaking (Spring, 1959), pp. 280-290
Published by: The MIT Press on behalf of American Academy of Arts & Sciences
https://www.jstor.org/stable/20026496
The Structural Study of Myth
Claude Lévi-Strauss
The Journal of American Folklore
Vol. 68, No. 270, Myth: A Symposium (Oct. - Dec., 1955), pp. 428-444
Published by: American Folklore Society
DOI: 10.2307/536768
https://www.jstor.org/stable/536768
EURIPIDES AND THE 'TALES FROM EURIPIDES': SOURCES OF APOLLODOROS' 'BIBLIOTHECA'?
Marc Huys
Rheinisches Museum für Philologie
Neue Folge, 140. Bd., H. 3/4 (1997), pp. 308-327
Published by: J.D. Sauerländers Verlag
https://www.jstor.org/stable/41234289
The Ritual View of Myth and the Mythic
Stanley Edgar Hyman
The Journal of American Folklore
Vol. 68, No. 270, Myth: A Symposium (Oct. - Dec., 1955), pp. 462-472
Published by: American Folklore Society
DOI: 10.2307/536771
https://www.jstor.org/stable/536771
Politics and Folktale in the Classical World
James S. Ruebel
Asian Folklore Studies
Vol. 50, No. 1 (1991), pp. 5-33
Published by: Nanzan University
DOI: 10.2307/1178184
https://www.jstor.org/stable/1178184
ROISMAN, HANNA M. “NAMELESS CHARACTERS IN TRAGEDY.” The Classical Review, vol. 63, no. 2, [The Classical Association, Cambridge University Press], 2013, pp. 348–50, http://www.jstor.org/stable/43301423.
Given, John. “‘Heralds’ ‘Servants’ and ‘Unnamed Characters’ in Greek Tragedy.” The Encyclopedia of Greek Tragedy, ed. Hanna Roisman. Wiley-Blackwell. (2014): n. pag. Print.
https://onlinelibrary.wiley.com/doi/10.1002/9781118351222.wbegt8010
Finkelberg, Margalit. “Is Κλέος Ἄϕθιτον a Homeric Formula?” The Classical Quarterly, vol. 36, no. 1, Cambridge University Press, 1986, pp. 1–5, http://www.jstor.org/stable/638939.
Finkelberg, Margalit. “More on ‘Kλeoσ Aφθiton.’” The Classical Quarterly, vol. 57, no. 2, Cambridge University Press, 2007, pp. 341–50, http://www.jstor.org/stable/27564082.
Eidinow, E., Kindt, J., & Osborne, R. (Eds.). (2016). Theologies of Ancient Greek Religion (Cambridge Classical Studies). Cambridge: Cambridge University Press. doi:10.1017/CBO9781316597811
Theologies of Ancient Greek Religion - Google Books
Coping with the gods: wayward readings in Greek theology: Versnel, H. S - Internet Archive.
Cosmos in the Ancient World - Google Books
Ken Dowden (2 May 2006). Zeus. Routledge. ISBN 1-134-40673-8.
Hugh Lloyd-Jones (28 December 1983). Justice of Zeus. University of California Press. ISBN 978-0-520-04688-7.
https://openlibrary.org/books/OL2907798M/The_justice_of_Zeus
Zeus : a study in ancient religion (1914 edition) by A.B. Cook - Open Library https://bit.ly/2YbNbZi
Zeus study ancient religion - Cambridge University Press https://bit.ly/2YbP3kM
Poseidon
ROISMAN, HANNA M. “NAMELESS CHARACTERS IN TRAGEDY.” The Classical Review, vol. 63, no. 2, [The Classical Association, Cambridge University Press], 2013, pp. 348–50, http://www.jstor.org/stable/43301423.
Given, John. “‘Heralds’ ‘Servants’ and ‘Unnamed Characters’ in Greek Tragedy.” The Encyclopedia of Greek Tragedy, ed. Hanna Roisman. Wiley-Blackwell. (2014): n. pag. Print.
https://onlinelibrary.wiley.com/doi/10.1002/9781118351222.wbegt8010
Finkelberg, Margalit. “Is Κλέος Ἄϕθιτον a Homeric Formula?” The Classical Quarterly, vol. 36, no. 1, Cambridge University Press, 1986, pp. 1–5, http://www.jstor.org/stable/638939.
Finkelberg, Margalit. “More on ‘Kλeoσ Aφθiton.’” The Classical Quarterly, vol. 57, no. 2, Cambridge University Press, 2007, pp. 341–50, http://www.jstor.org/stable/27564082.
Eidinow, E., Kindt, J., & Osborne, R. (Eds.). (2016). Theologies of Ancient Greek Religion (Cambridge Classical Studies). Cambridge: Cambridge University Press. doi:10.1017/CBO9781316597811
Theologies of Ancient Greek Religion - Google Books
Coping with the gods: wayward readings in Greek theology: Versnel, H. S - Internet Archive.
Cosmos in the Ancient World - Google Books
Zeus
Ken Dowden (2 May 2006). Zeus. Routledge. ISBN 1-134-40673-8.
Hugh Lloyd-Jones (28 December 1983). Justice of Zeus. University of California Press. ISBN 978-0-520-04688-7.
https://openlibrary.org/books/OL2907798M/The_justice_of_Zeus
Zeus : a study in ancient religion (1914 edition) by A.B. Cook - Open Library https://bit.ly/2YbNbZi
Zeus study ancient religion - Cambridge University Press https://bit.ly/2YbP3kM
Poseidon
Hera
Heracles - Wikipedia
Labours of Hercules - Wikipedia
Athena
Athena - Wikipedia
Melpomene [Muse of Tragedy]
The muse of tragedy, lyric poetry, and oratory. Her name comes from the Greek word melpomene, which means "to sing" or "to celebrate with dance and song."
She is often depicted wearing a tragic mask representing the sorrow and suffering that are often found in tragedy, She is frequently associated with the god Dionysus, the god of wine, theatre, and madness. This is because tragedy often deals with themes of death, loss, and madness. Melpomene - Wikipedia
Thalia [Muse of Comedy]
Thalia's name means "flourishing", and she is associated with the growth and development of comedy. She is often depicted with her sister, Melpomene, the muse of tragedy.
Thalia (Muse) - Wikipedia
=========================Labours of Hercules - Wikipedia
Athena
Athena - Wikipedia
Melpomene [Muse of Tragedy]
The muse of tragedy, lyric poetry, and oratory. Her name comes from the Greek word melpomene, which means "to sing" or "to celebrate with dance and song."
She is often depicted wearing a tragic mask representing the sorrow and suffering that are often found in tragedy, She is frequently associated with the god Dionysus, the god of wine, theatre, and madness. This is because tragedy often deals with themes of death, loss, and madness. Melpomene - Wikipedia
Thalia [Muse of Comedy]
Thalia's name means "flourishing", and she is associated with the growth and development of comedy. She is often depicted with her sister, Melpomene, the muse of tragedy.
Thalia (Muse) - Wikipedia
The Extant Greek Plays and the Myths forming their basis
> Aeschylus
Agamemnon Eumenides Libation Bearers Oresteia
Persians Prometheus Bound Seven Against Thebes Suppliants
Hecuba Helen Heracles Hippolytus Ion Iphigenia in Aulis
Iphigenia in Tauris Medea Orestes Rhesus Suppliants
The Bacchae The Phoenician Women Trojan Women
Persians Prometheus Bound Seven Against Thebes Suppliants
> Euripides
Alcestis Andromache Children of Heracles Cyclops ElectraHecuba Helen Heracles Hippolytus Ion Iphigenia in Aulis
Iphigenia in Tauris Medea Orestes Rhesus Suppliants
The Bacchae The Phoenician Women Trojan Women
Plays concerning the Trojan War or its aftermath, and myths concerning the Curse on the House of Atreus
Euripides
- Hecuba
- The Trojan Women
- Helen
- Iphigenia At Aulis
- Iphigenia in Tauris
- Orestes
- Electra
- Suppliant Women
- Andromache
- Cyclops
Sophocles
- Ajax
- Orestes
- Electra
Aeschylus
- Oresteia [Agamemnon, The Libation Bearers, The Eumenides]
Plays concerning the Oedipean myth and Thebes
Euripides
- The Phoenissae [Phoenician Women/Seven Against Thebes]
Sophocles
- Oedipus Tyrannus
- Antigone
- Oedipus at Colonus
Aeschylus
- Seven Against Thebes
Plays involving Jason and the Argonauts or related myths
Euripides
- Medea
Sophocles
- Women of Trachis
Euripides
- Heracles
- Children of Heracles
The Myth of Theseus and his Family
Euripides
- Hippolytus
The God Dionysos
Euripides
- The Bacchae
Aristophanes
- The Frogs
Other Myths and Legends
Euripides
- Alcestis
- Ion
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