A.E. Haigh (1898) in The Attic theatre p. 363-368. wrote:-
The Attic Theatre: A Description of the Stage and Theatre of the Athenians, and of the Dramatic Arthur Elam Haigh - Internet Archive
"And the old Attic comedy was pervaded by a coarseness which makes it utterly unfit for boys and women."
The Dramatic Festivals of Athens (2nd Edition 1968 Revised by J. Gould and D. M. Lewis): Arthur Wallace Pickard-Cambridge - Internet Archive - Chapter VI The Audience pp 268-85.
[Discusses the evidence for women & children's attendance at the theatre in Ancient Athens]
S. Goldhill, ' Representing Democracy: Women at the Great Dionysia ', in R. Osborne and S. Hornblower (edd.), Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis (Oxford, 1994), Chapter 21: pp. 347-69
Kitto repeats this in his book on p.233 in The Greeks - Internet Archive
"And the old Attic comedy was pervaded by a coarseness which makes it utterly unfit for boys and women."
Plato, Laws, Book 2, section 658d says that educated women preferred tragedies to comedies.
Plato, Gorgias, section 502d
Socrates:
Then it must be a rhetorical public speaking or do you not think that the poets use rhetoric in the theaters?
Callicles:
Yes, I do.
Socrates:
So now we have found a kind of rhetoric addressed to such a public as is compounded of children and women and men, and slaves as well as free; an art that we do not quite approve of, since we call it a flattering one.
Aristophanes says in Thesmophoriazusae. Line 1228 where in the exodus to the play the Chorus Leader implies "like good honest women, we each go straight to our own home after the play."
Aristophanes, Thesmophoriazusae, line 1226-
Leader of the Chorus:
Go your way! and a pleasant journey to you! But our sports have lasted long enough; it is time for each of us to be off home; and may the two goddesses reward us for our labours!
References
A.E. Haigh (1898) in The Attic theatre p. 363-368. wrote:-
The Attic Theatre: A Description of the Stage and Theatre of the Athenians, and of the Dramatic Arthur Elam Haigh - Internet Archive
"And the old Attic comedy was pervaded by a coarseness which makes it utterly unfit for boys and women."
The Dramatic Festivals of Athens (2nd Edition 1968 Revised by J. Gould and D. M. Lewis): Arthur Wallace Pickard-Cambridge - Internet Archive - Chapter VI The Audience pp 268-85.The Attic Theatre: A Description of the Stage and Theatre of the Athenians, and of the Dramatic Arthur Elam Haigh - Internet Archive
"And the old Attic comedy was pervaded by a coarseness which makes it utterly unfit for boys and women."
[Discusses the evidence for women & children's attendance at the theatre in Ancient Athens]
S. Goldhill, ' Representing Democracy: Women at the Great Dionysia ', in R. Osborne and S. Hornblower (edd.), Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis (Oxford, 1994), Chapter 21: pp. 347-69
Kitto repeats this in his book on p.233 in The Greeks - Internet Archive
"And the old Attic comedy was pervaded by a coarseness which makes it utterly unfit for boys and women."
Plato, Laws, Book 2, section 658d says that educated women preferred tragedies to comedies.
Plato, Gorgias, section 502d
Socrates:
Then it must be a rhetorical public speaking or do you not think that the poets use rhetoric in the theaters?
Callicles:
Yes, I do.
So now we have found a kind of rhetoric addressed to such a public as is compounded of children and women and men, and slaves as well as free; an art that we do not quite approve of, since we call it a flattering one.
Aristophanes says in Thesmophoriazusae. Line 1228 where in the exodus to the play the Chorus Leader implies "like good honest women, we each go straight to our own home after the play."
Aristophanes, Thesmophoriazusae, line 1226-
Aristophanes, Thesmophoriazusae, line 1226-
Leader of the Chorus:
Go your way! and a pleasant journey to you! But our sports have lasted long enough; it is time for each of us to be off home; and may the two goddesses reward us for our labours!
The Context of Ancient Drama (1995) Eric Csapo and William Slater - Internet Archive
Chapter IVB - The Audience pp. 286-90
Chapter IVB - The Audience pp. 286-90
IVBi - The Athenian Audience in the Fifth and Fourth century
Sources (122-173B) - Composition of the Audience, Theorikon and Entrance Fees, Seating Arrangements, Behavior pp. 290-305
The Cambridge Companion to Greek Tragedy - The Audience of Athenian Tragedy - Internet Archive
Henderson, J. (1991). Women and the Athenian Dramatic Festivals. Transactions of the American Philological Association (1974-), 121, 133–147. https://doi.org/10.2307/284448 https://www.jstor.org/stable/284448
Dionysos, étude sur l'organisation matérielle du théâtre athénien: Octave Navarre - Internet Archive
CHAPITRE XIII : LE PUBLIC
§ 78 pp. 230-236 Les femmes étaient elles admiises au théâtre?
Utrum mulieres Athenienses scaenicos ludos spectaverint necne: Octave Navarre - Internet Archive
Henderson, J. (1991). Women and the Athenian Dramatic Festivals. Transactions of the American Philological Association (1974-), 121, 133–147. https://www.jstor.org/stable/284448
HUGHES, A. (2008). “AI DIONYSIAZUSAI”: WOMEN IN GREEK THEATRE. Bulletin of the Institute of Classical Studies, 51, 1–27. http://www.jstor.org/stable/4364670
Was Ancient Greek Theater Only for Men? – Classical Wisdom Weekly - MENADEL PSICOLOGÍA Clínica y Tradicional.
A.J. Podlecki COULD WOMEN ATTEND THE THEATER IN ANCIENT ATHENS, A COLLECTION OF TESTIMONIALS Ancient World, 1990 - ARES PUBL INC Vol XXI
Publics and Audiences in Ancient Greece: 2013 by David Roselli
https://core.ac.uk/works/10281526
Theater of the People: Spectators and Society in Ancient Athens Chapter 5 Women and the Theater Audience - David Kawalko Roselli - Google Books
Social Class: 2014 by David Roselli
https://core.ac.uk/works/10281170
Theatre of the People: Spectators and Society in Ancient Athens - David Kawalko Roselli - Google Books
https://archive.org/details/theaterofpeoples0000rose/page/n5/mode/1up?view=theater
The Attic Theatre: A.E Haigh - Internet Archive Chapter VII The Audience
The Ecclesiazusae of Aristophanes tr by Benjamin Bickley Rogers - Internet Archive pp. xxix-xxxv
Encyclopedia of Women in the Ancient World edited by Joyce E. Salisbury - Internet Archive
Aristophanic Comedy: Dover, K. J. - Internet Archive p.17
https://www.journals.uchicago.edu/doi/10.1086/449382
Katz, M. A. (1998). Did the Women of Ancient Athens Attend the Theater in the Eighteenth Century? Classical Philology, 93(2), 105–124. http://www.jstor.org/stable/270354
Publics and Audiences in Ancient Greece: 2013 by David Roselli
https://core.ac.uk/works/10281526
Theater of the People: Spectators and Society in Ancient Athens Chapter 5 Women and the Theater Audience - David Kawalko Roselli - Google Books
Social Class: 2014 by David Roselli
https://core.ac.uk/works/10281170
Theatre of the People: Spectators and Society in Ancient Athens - David Kawalko Roselli - Google Books
https://archive.org/details/theaterofpeoples0000rose/page/n5/mode/1up?view=theater
The Attic Theatre: A.E Haigh - Internet Archive Chapter VII The Audience
The Ecclesiazusae of Aristophanes tr by Benjamin Bickley Rogers - Internet Archive pp. xxix-xxxv
Encyclopedia of Women in the Ancient World edited by Joyce E. Salisbury - Internet Archive
Representation of women in Athenian tragedy - Wikipedia
Greek tragedy and comedy: Lucas, F. L. - Internet Archive
Greek tragedy and comedy: Lucas, F. L. - Internet Archive
Aristophanic Comedy: Dover, K. J. - Internet Archive p.17
Katz, M. (1992). Ideology and “The Status of Women” in Ancient Greece. History and Theory, 31(4), 70–97. https://doi.org/10.2307/2505416 https://www.jstor.org/stable/2505416
HUGHES, A. (2008). “AI DIONYSIAZUSAI”: WOMEN IN GREEK THEATRE. Bulletin of the Institute of Classical Studies, 51, 1–27. http://www.jstor.org/stable/43646704
HARDWICK, L. (2013). THE PROBLEM OF THE SPECTATORS: ANCIENT AND MODERN. Bulletin of the Institute of Classical Studies. Supplement, 126, 11–26. http://www.jstor.org/stable/44216377.
The Attic Theatre (3rd edition) - Chapter 8 Audience: A.E Haigh revised by A. W. Pickard-Cambridge - Internet Archive
The Attic Theatre (3rd edition) - Chapter 8 Audience: A.E Haigh revised by A. W. Pickard-Cambridge - Internet Archive
The Dramatic Festivals Of Athens by Arthur Pickard-Cambridge - Internet Archive
Chapter VI • The Audience
1. Number in the audience p. 263
2. Women and children in the audience pp. 263-5
3. Payment for admission. The theorikon pp, 265-8
4. Prohedria and reserved seats pp. 268-70
5. Theatre tickets pp. 270-2
6. Behaviour of the audience pp. 272-3
7. Attitudes and taste pp. 274-8
Did the Women of Ancient Athens Attend the Theater in the Eighteenth Century? | Semantic Scholar
Did the Women of Ancient Athens Attend the Theater in the Eighteenth Century? | Semantic Scholar
Zeitlin, F. I. (1985). Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama. Representations, 11, 63–94. https://doi.org/10.2307/2928427 https://www.jstor.org/stable/2928427
An Introduction to the Greek Theatre by Peter Arnott - Internet Archive
Cross-dressing - Oxford Classical Dictionary
An Introduction to the Greek Theatre by Peter Arnott - Internet Archive
Cross-dressing - Oxford Classical Dictionary
Zeitlin, F. I. (1985). Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama. Representations, 11, 63–94. https://doi.org/10.2307/2928427 https://www.jstor.org/stable/2928427
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Women in Ancient Greece - World History Encyclopedia
Internet Archive: Search for Women in Ancient Greece
Women in Ancient Greece: Sue Blundell - Internet Archive
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Women in Ancient Greece: Sue Blundell - Internet Archive
Lysistrata by Aristophanes - Commentary 3 pp. 98-109 by Sarah Ruden on Athenian Women - Internet Archive
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Gender and politics in Greek tragedy : Zelenak, Michael X - Internet Archive
Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity - Sarah B Pomeroy - Google Books
Women in classical Athens - Wikipedia
Women in Greece - Wikipedia
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