In Ancient Greek tragedies, prologue, parodos, episodes, stasima, and exodus are the formal structural components that make up the play. Each plays a specific role in shaping the narrative and dramatic experience. Here's a description of each:
1. Prologue
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Definition: The opening section of the tragedy, occurring before the entrance of the chorus.
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Function: Sets the scene, introduces the background, and outlines the conflict or problem that will unfold during the play.
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Connection to Greek Tragedy: Often delivered by one or two actors, the prologue provides essential exposition. For example, in Sophocles' Oedipus Rex, the prologue introduces Thebes’ suffering and Oedipus' commitment to finding the cause.
2. Parodos
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Definition: The first song sung by the chorus as it enters the orchestra (the performance space).
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Function: Introduces the chorus, often commenting on the events in the prologue or reflecting the community’s perspective.
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Connection to Greek Tragedy: Sets the emotional tone and moral framework. In Antigone, the parodos celebrates the Theban victory but quickly transitions into the concerns that set the stage for conflict.
3. Episodes (epeisodion)
However, episodes often contain several key elements and follow a general flow:
- Entrance of Characters: An episode begins with the entrance of one or more actors onto the stage.
- Dialogue and Interaction: The core of the episode consists of dialogue between the characters. This dialogue serves several purposes:
- Advancing the Plot: New information is revealed, decisions are made, and the conflict progresses.
- Developing Character: The audience learns about the characters' motivations, beliefs, and relationships through their words and actions.
- Establishing Conflict: Episodes often feature arguments, debates (agones), or confrontations between characters, highlighting the central conflict of the play.
- Revealing Hamartia and Hubris: The tragic hero's flaws and excessive pride may be displayed through their interactions.
- Advancing the Plot: New information is revealed, decisions are made, and the conflict progresses.
- Developing Character: The audience learns about the characters' motivations, beliefs, and relationships through their words and actions.
- Establishing Conflict: Episodes often feature arguments, debates (agones), or confrontations between characters, highlighting the central conflict of the play.
- Revealing Hamartia and Hubris: The tragic hero's flaws and excessive pride may be displayed through their interactions.
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Definition: Scenes of dialogue or action between characters, interspersed with choral odes.
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Function: Advance the plot and develop the characters through dramatic interaction.
- Connection to Greek Tragedy: These are the main dramatic scenes. In Medea, the episodes include confrontations between Medea and other characters like Jason and Creon.
4. Exits of Characters: An episode concludes with the departure of the actors, often leading into a stasimon where the chorus responds to the events of the preceding episode.
In essence, an episode is a building block of the tragedy where the dramatic action unfolds through the interactions of the actors. The content and specific elements within an episode vary depending on the needs of the plot and the playwright's artistic choices. The alternation between these episodes and the choral odes creates the rhythm and dramatic tension of the play.
Other things that may occur in an episode
4. Stasima (plural of Stasimon)
Choral odes sung and danced by the chorus between episodes. The stasima often reflect on the events of the preceding episode, offer commentary on the themes, and provide a broader perspective.
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Definition: Choral odes sung by the Chorus between episodes.
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Function: Provide reflection, commentary, and thematic development; they allow the audience to process and digest the preceding action.
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Connection to Greek Tragedy: Rich in metaphor and allusion, they can express communal values or foreshadow events. For example, in Agamemnon by Aeschylus, the chorus reflects on fate and justice.
5. Exodus
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Definition: The final scene or departure, after the last stasimon.
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Function: Resolves the action and delivers the moral or philosophical message of the play.
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Connection to Greek Tragedy: Often concludes with a catharsis (emotional purging) for the audience. In Oedipus Rex, the exodus depicts Oedipus’ downfall and exile, reinforcing themes of fate and self-knowledge.
Together, these structural elements form the backbone of classical tragedy, guiding the audience through a rhythm of tension and release, action and reflection, all culminating in a powerful emotional and moral resolution.
Epiparodos
The return of the chorus after it had left the orchestra during the performance of a play (μετάστασις χοροῦ; metástasis choroû, cf. Poll. 4,108), as in: Aesch. Eum. 231, 244; Soph. Aj. 814, 866 ; Eur. Alc. 746, 861, Hel. 385, 515, Rhes. 564, 674 ; Aristoph. Eccl. 310, 478.
References
Climax (narrative) - Wikipedia
Poetics (Aristotle) - Wikipedia
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Structure of Tragedy - Donald J. Mastronarde
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The Internet Classics Archive
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Tragedy and Theory: The Problem of Conflict Since Aristotle
Michelle Gellrich
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Publication Date: July 2014, Pages: 312
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Structure of Old Comedy
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