Monday, 3 May 2021

The Assembly Women (Ecclesiazusae or Contionantes) - Aristophanes

Aka The Assemblywomen; (Ecclesiazusae; Ἐκκλησιάζουσαι Ekklesiazousai) Congresswomen, Women in Parliament, Women in Power, and A Parliament of Women.

There are no surviving details when this play was first performed. From internal information in the play it seems it was produced around 393-391 BC, around the time of the Corinthian War. 

Corinthian War - Wikipedia

Skene
A significant portion of the play revolves around the Pnyx, which was the actual Athenian assembly meeting place on a hill overlooking the Agora. Other scenes may depict various streets or public areas in ancient Athens.

Dramatis Personae

Praxagora (The main character who devises the plan for women to take over the Assembly). Her name means "woman who takes action in a public place and space".
Blepyrus (Praxagora's husband). 
Chorus (Group of women disguised as men)
Chremes (A citizen returning from the Assembly meeting)
Citizen/Selfish Man (A man opposed to sharing wealth under the new female-led government)
Epigenes (A young man struggling with the new law requiring him to sleep with an old woman first)

Plot

In Aristophanes' comedy, Assemblywomen, frustration with the Athenian government fuels a radical plan by a woman named Praxagora, the wife of Blepyrus, to take power:-

Disgruntled Women, Daring Plan: Praxagora, tired of the men's political ineptitude, hatches a plan to seize power. The women of Athens plan to disguise themselves as men and in a coup d'état take control of the citizens' Assembly [Ecclesia]. Together they will form a new social order in which women will hold all the power.

The Women take over of the Assembly: The women using their clever disguises succeed in doing this. They manage to infiltrate the Assembly and to vote themselves into leadership. Athens is going to be reformed in a major way: in session at the Assembly they manage to pass a series of measures, including the abolition of private property, and institute the communal sharing of wives, and the equal distribution of wealth.

Thus the women set up a kind of Communist Utopia: Praxagora enacts a series of reforms: Private property is abolished, and everything, including wives, is to be shared communally.  Public buildings are turned into communal dining halls. Dividing walls between households are abolished, as are families too.

Equality Rules (Even in Love): Forget wealth and status determining relationships between men and women; love and procreation become the prime duties for everyone – young, old, attractive, and ugly – all are to share equally the burden of mating and giving birth to the next generation. Slaves are excluded from these proposals, though. As the new order takes hold, chaos ensues as traditional gender roles are overturned, and men find themselves subjected to the whims of their wives. In the new order and under the regime of women, social inequality, based on wealth, age, and beauty are abolished, and along with them the principal causes of selfishness too.

Men's Grumbling Acceptance: The men, initially resistant, eventually find some benefits in this new arrangement and system, especially the readily available meals in the public dining halls. Only the selfish ones who hoard possessions are unhappy.

So, is this a happy-ever-after situation? Two main causes bring the new regime down: some cling to the old order wanting to hold onto its privileges, especially their desire to hold onto property; the second involves the new regime's principle of sexual equality and its system of giving priority to the old and ugly - it just doesn't work. 

Aristophanes' play uses bawdy and absurd humour to satirise the Athenian government and society's norms. The ending is open to interpretation. While the women appear to be in control, the long-term viability of this unusual social experiment remains unclear. In the end, the absurdity of rule by women becomes apparent, and the natural order according to Aristophanes is restored, albeit with a lesson learned about the dangers of radical social experimentation.

References

Assemblywomen - Wikipedia

A Guide to Ancient Greek Drama: Synopsis of Aristophanes' Assembly-Women

Crowell's handbook of classical drama pp 123- : Hathorn, Richmond Y. - Internet Archive

Dithyramb, Tragedy and Comedy pp. 327-328 - Internet Archive
Analysis of Play: Ecclesiazusae

Aristophanes: Ecclesiazusae - Tom's Learning Notes

Ecclesiazusae - Aristophanes - Ancient Greece - Classical Literature

Assemblywomen by Aristophanes - GreekMythology.Com

Ecclesiazusae - World History Encyclopedia

Ecclesiazusae - World History Encyclopedia

The Ecclesiazusae Summary - SuperSummary

Praxagora Study Resources - Course Hero

Google Scholar Search = Aristophanes Ecclesiazusae

JStor Search = Aristophanes Ecclesiazusae

Core UK Search = Aristophanes+Ecclesiazusae

Library of Congress Search = Aristophanes+Ecclesiazusae

Hulley, Karl K. “The Prologue of the Ecclesiazusae.” The Classical Weekly, vol. 46, no. 9, 1953, pp. 129–131. JSTOR, www.jstor.org/stable/4343346.


Olson, S. Douglas. “Anonymous Male Parts in Aristophanes’ Ecclesiazusae and the Identity of the Δεσπότης.” The Classical Quarterly, vol. 41, no. 1, Cambridge University Press, 1991, pp. 36–40, http://www.jstor.org/stable/639021.

Tsoumpra, Natalia. “Undressing and Cross-Dressing: Costume, Ritual, and Female Empowerment in Aristophanes.” Illinois Classical Studies, vol. 45, no. 2, University of Illinois Press, 2020, pp. 368–98, https://www.jstor.org/stable/10.5406/illiclasstud.45.2.0368.

Casement, William. “Political Theory in Aristophanes’ Ecclesiazusae.” Journal of Thought, vol. 21, no. 4, Caddo Gap Press, 1986, pp. 64–79, http://www.jstor.org/stable/42589924.

Greek Versions

Aristophanes: Ecclesiazusae on JSTOR Aris & Phillips

Aristophanis Ecclesiazusae: editit J. van Leeuwen - Internet Archive

Aristophanous komoidiai. Comedies Volume V Aristophanes  Frogs Ecclesiazusae- Internet Archive

Aristophanis Ecclesiazusae edited by J.W. Van Leeuwen

Loeb Edition: L179 Aristophanes III Lysistrata Thesmophoriazusae Ecclesiazusae Plutus - B.B. Rogers

Translations

Delphi Complete Works of Aristophanes: Assemblywomen

The Congresswomen (Ecclesiazusae) trans by Douglass Parker

Birds and Other Plays (Oxford World's Classics) : Aristophanes -  Internet Archive

The knights ; [and], Peace ; [and], the birds ; [and], the assemblywomen ; [and], Wealth : Aristophanes : - Internet Archive

Aristophanes; tr. Alan H. Sommerstein (1998). Ecclesiazusae. Volume 10 of Comedies of Aristophanes. Oxford University Press. ISBN 978-0-85668-708-2.

The Knights; Peace; Wealth; The Birds ; The Assemblywomen [1986]
by Aristophanes; Translated by David Barrett and Alan H. Sommerstein
ISBN 0140443320 9780140443325
https://archive.org/details/knightspeacewea00aris/mode/1up

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